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· Abercrombie, John
· Alessi, Ralph
· Altekamp, Sebastian
· Andrzejewski, Max
· Antoniou, Giorgos
· Backhaus, Tobias
· Baron, Joey
· Beets, Marius
· Berne, Tim
· Black, Jim
· Boehlee, Karel
· Brodbeck, Jean-Paul
· Burgwinkel, Jonas
· Carrothers, Bill
· Cheek, Chris
· Chisholm, Hayden
· Copland, Marc
· Cowherd, Jon
· De Fatima, Maria
· Del Fra, Riccardo
· Di Gioia, Roberto
· Dixon, Ben
· Egli, Dominic
· Enders, Johannes
· Friedrich, Jürgen
· Fuhr, Dietmar
· Gille, Sebastian
· Gisler, Fabian
· Goldings, Larry
· Goldsby, John
· Graupe, Ronny
· Gress, Drew
· Hagans, Tim
· Hart, Billy
· Hays, Kevin
· Hébert, John
· Heise, Julius
· Held, Pablo
· Hoenig, Ari
· Hollander, Rick
· Hollenbeck, John
· Kaufmann, Achim
· Kent, Oliver
· Klein, Niels
· Kolli, Valdi
· Konitz, Lee
· Kruemmling, Martin
· Landfermann, Robert
· Landolf, Domenic
· Lang, Walter
· Lauer, Johannes
· Lewis, Victor
· Liebman, Dave
· Lillinger, Christian
· Martucci, Tony
· Meinhold, Niko
· Moreno, Tony
· Moret, Patrice
· Motian, Paul
· Murodate, Aya
· Mutzke, Menzel
· Nuss, Hubert
· Nussbaum, Adam
· O'Mara, Peter
· Olah, Ernö
· Osby, Greg
· Palesano, Antonio
· Pallemaerts, Dré
· Peacock, Gary
· Pechlof, Kathrin
· Penman, Matt
· Peuker, Peter
· Pichler, Matthias
· Poor, Ted
· Potratz, Oliver
· Radley, Nate
· Raible, Claus
· Rainey, Tom
· Rieser, Dan
· Riley, John
· Rohrer, Samuel
· Ross, Florian
· Rueckert, Jochen
· Ruocco, John
· Rückert, Thomas
· Saito, Taiko
· Schouten, Koen
· Schrijner, Marie-José
· Schröder, John
· Schröteler, Daniel
· Scott, Ryan
· Seizer, Jason
· Serierse, Marcel
· Shepik, Brad
· Sieverts, Henning
· Spallati, Igor
· Speed, Chris
· Stabenow, Thomas
· Steffens, Liesbeth
· Steidle, Oliver
· Stein, Bastian
· Stemeseder, Elias
· Stewart, Bill
· Stillman, Loren
· Street, Ben
· Taborn, Craig
· Taylor, John
· Terzic, Dejan
· Thys, Nicolas
· Turner, Mark
· Vallon, Colin
· Verheyen, Robin
· Versace, Gary
· Webber, Anna
· Weidner, Christian
· Weiss, Doug
· Westergaard, Jonas
· Wogram, Nils
· Wylie, James
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Monosuite - that's what this fascinating work with its sparkling, shimmering sounds is called - music that bursts out in a powerful, clear tonal stream. The listener is immediately pulled into a maelstrom of undiscovered beauty. This is music for a 22 piece string orchestra and four masterful soloists from the contemporary world of jazz. These great musicians interact with the Sequenza String Orchestra in lively, elastic, and amazingly organic piece of jazz artistry - inspired music played with creative discipline.
Sequenza String Orchestra
1st violin: Gerdur Gunnarsdóttir, Constanze Sannemüller, Elias Schödel, Adrian Bleyer, Kira Kohlmann, Christine Rox
2nd violin: Irmgard Zavelberg, Mirjam Steymans, Alwin Moser, Naomi Binder, Adi Czeiger
viola: Marla Hansen, Pauline Moser, Yodfat Miron, Andrea Sanz-Vela, Valentin Alexandru
cello: Ulrike Zavelberg, Teemu Myöhänen, Nil Kocamangil, Marnix Möhring
bass: Axel Ruge, Matan Gurevitz
Supported by the Initiative Musik Non-profit Project Company Ltd. with project funds from the Federal Government Commissioner for Culture and Media on the basis of a resolution passed by the German Bundestag.
Supported by Kunststiftung NRW.
Awards:
Instrumental CD of the Month: Jazz Station (USA)
musical performance and sonic quality: 
Recomended sonic quality: Audio (Germany)
musical performance:
sonic quality: 1/2
Stereo (Germany)
musical performance: 1/2
sonic quality:
Financial Times (Germany)
Concerto (Austria)
Drums & Percussion (Germany)
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PRESS QUOTES
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Instrumental CD of the Month: "Jürgen Friedrich's best album as a leader... The listener is immediately pulled into a maelstrom of undiscovered beauty. This is a stunning composition for a 22-piece string orchestra and four masterful jazz soloists. These great musicians interact with the Sequenza String Orchestra in lively, elastic, and amazingly organic piece of jazz artistry - inspired music played with creative discipline." (Arnaldo Desouteiro, Jazzstation.com)
"This 49-minute opus is as much about sought-after equilibrium as anything else. Friedrich builds a series of checks and balances between the strings and improvisers, never letting one dominate for too long, but always allowing for strange meetings and sensational story lines." (Dan Bilawsky, allaboutjazz.com)
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